

My best friend (who is an amazing Yogi) is putting together her yoga website and it is bound to be great. Make sure to bookmark this and refer back often, as she puts it together.


Guidelines for Green House
| Time: | Saturday, July 7 at 8:00 PM | ||
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| Duration: | 1 hour | ||
| Host: | Agatha Glowacki | ||
| Contact Phone: | 386-237-0658 | ||
| Location: | Agi and Kathleen's House (Washington, DC) 1304 W St. NW Washington, DC 20009
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| Directions: | 2 blocks from U st. and plenty of street parking available. |

A special Indian Summer Showcase concert in the spirit of the Live Earth concerts
July 7, 2007
The Smithsonian's National Museum of the American Indian announced that it will host a special concert event called "Mother Earth" Saturday, July 7, with musical performances and speakers from the scientific and American Indian cultural communities in the spirit of the Live Earth message. Live Earth is a 24-hour, seven-continent concert series that will bring together more than 100 music artists to raise awareness about climate change. As part of this environmental message, the museum will make the broadcast of Mother Earth available to Live Earth.
"There is no more important matter before us than the question of how to live sustainably on the Earth," said Tim Johnson (Mohawk), acting director of the museum. "As an institution of living cultures, the National Museum of the American Indian is committed to elevating human understanding of global climate change through education and cultural performances."
The concert is free and open to the public. It will take place on the museum's Welcome Plaza at 4th Street and Independence Avenue SW, facing the U.S. Capitol. Mother Earth will begin with an opening ceremony at 10:30 a.m. immediately followed by the concert's first act, Blues Nation, an Oklahoma-based rhythm and blues band. Native American rock, funk, punk, reggae, gospel and Andean music; films; and guest speakers will fill out the day ending with a finale by Blues Nation at 9:30 p.m.
Schedule of Events:
10:30 a.m. Opening Ceremony and Welcome with Blues Nation. Remarks by guest speakers: Henrietta Mann, Ph.D. (Cheyenne and member of the Cheyenne and Arapaho Tribes of Oklahoma), professor emeritus and special assistant to the president of Montana State University in Bozeman, Mont.; Katsi Cook (Akwesasne Mohawk Nation), traditional midwife and founding director of the First Environment Project of Running Strong for American Indian Youth.
11:30 a.m. Native Roots, reggae band from Albuquerque, N.M.
12:15 p.m. Remarks by guest speakers: Daniel Wildcat, Ph.D., professor at Haskell Indian Nations University in Lawrence, Kan. and co-director of the Haskell Environmental Research Studies Center; Henrietta Mann; and Katsi Cook
12:30 p.m. Yarina (Kichua), traditional and contemporary Andean music and dance from Boston, Mass.
1:30 p.m. Film: "The Trail of Tears: Cherokee Legacy." Rasmuson Theater
(Note: During the film there will be no performances on the Welcome Plaza stage.)
3 p.m. Trail of Tears discussion with Chad Smith, Principal Chief of the Cherokee Nation of Okla., Rasmuson Theater
3:45 p.m. The Plateros (Diné), rock-tinged gospel from Canoncito, N.M.
4:30 p.m. The Breaking Wind, rock, funk, and blues from Canada's Six Nations Reserve in Ontario
5:15 p.m. Remarks by guest speakers: Nancy G. Maynard, Ph.D., senior research scientist in the Cryospheric Sciences Branch at NASA Goddard Space Flight Center in Greenbelt, Md. and manager of NASA's Tribal College and University Project; and Anthony D. Socci, Ph.D, senior science and communication fellow in the Atmospheric Policy Program at the American Meteorological Society in Washington, D.C.
5:30 p.m. Blues Nation, original and standard blues from Okla.
6:30 p.m. The Reddmen, punk rock band from Rapid City, S.D.
7:15 p.m. Native Roots
8 p.m. Yarina
8:45 p.m. The Reddmen
9:30 p.m. Closing remarks by Henrietta Mann and Katsi Cook. Musical finale with Blues Nation and friends.
The schedule is subject to change.
For updates, visit the Museum's Web site at www.AmericanIndian.si.edu/motherearth.
The broadcast portion of Mother Earth is being produced by Herring Media Group, Inc. of Connecticut, (HMG). HMG Chairman and CEO Marc Herring, said, "It is an honor and privilege to work with the Smithsonian's National Museum of the American Indian and to collaborate with Live Earth to present this important program and to celebrate a new era of ecology awareness."

with Srivatsa Ramaswami
Course Description:
Vinyasa Krama was the core system taught by Sri T Krishnamacharya in his teachings of yogasanas. Srivatsa Ramaswami studied this system in considerable detail during his 30 year study under the Master. Vinyasa is the art form of Yoga practice, with elaborate, aesthetic variations and movements in essential Yoga Postures. In this program the basic elements of classical Vinyasa Krama, or Vinyasa Yoga, will be considered in detail.
Close to 200 essential Vinyasas in a number of sequences forming the basis of the system will be taught along with the appropriate synchronous breathing. Discussions and practice of different elements of Pranayama will also be addressed, apart from introduction to important Sanskrit chants useful for Yoga practice.
Reference Book: "The Complete Book of Vinyasa Yoga" by Srivatsa Ramaswami.
When: Saturday and Sunday August 25th & 26th 12:00 - 5:00PM both days
Cost: $200 advance pay only
Srivatsa Ramaswami was the longest standing student of T Krishnamacharya outside the Master's family. He has written four books: "Basic Tenets of Patanjala Yoga," "Yoga for the Three Stages of Life," "The Complete Book of Vinyasa Yoga," and "Yoga Beneath the Surface." Mr. Ramaswami has also recorded about 40 audio cassettes and CDs in India of various Sanskrit chants like Sun Salutation, Gayatri, Siva Kavacham, etc.
.....................Turns out that DC has its very own charity, created by Willow Street Yoga, to support Ramana's Garden...........In the early 1970's, "the pill" came into being. The pill immediately transformed the sex lives of anyone under the age of 40, particularly teenagers. Suddenly females had total control over whether they wanted children and if so, when and how many. Females no longer had to "make" relationships work because with birth control, came a sense of financial and life control. A sense of equality was established because women no longer had to relinquish their independence to a male provider.
Women's lives changed immediately. Men's lives didn't change however and they continued to search for a stay at home wife like their mothers. Men did not know how to relate to the new female. Thus came the era of divorces.
With divorce and publicity around equality, women in the 1970's/80's found themselves operating as "Power Women". The media convinced women that they could win at home and be a man's equal in the business world. Women put in 12 hour work days, attempted to keep a clean and orderly house, and give their children all the love they had pre-divorce. What they gave up however was their social life, exercise, balance, and sleep.
The 1980's gave way to Power Women dressing like men in boardroom attire with big shoulder pads. They went to 3 martini lunches and smoked because this is what their "successful" fathers did in the business world.
Girls raised by Power Women knew that education was essential because "when they got divorced" they too would need enough income to manage a house and a job at the same time. I term the daughters of Power Women, "Super Girls".
Super Girls spent weekends with a divorced father who had no training on how to be with a daughter for 2 straight days. So fathers did what they knew best: they got their daughters into sports and became their coaches and mentors.
Super Girls were influenced by Saturday morning cartoons which traditionally featured 4 men wearing capes and lycra suits, running around saving the world. Cartoons started to show a female in the group, also wearing tight, stylish lycra and a cape. This sexy, powerful and equal woman became an icon to Super Girls who were doing what most teenagers do – dressing opposite to their mothers. They did not have the same need to look like boys or men to compete with them. In the early 1990's, girls abandoned the grunge/skateboard/snowboard/male dominated sport look and moved towards tighter tops and more feminine colors.
The surf companies were among the first to establish a feminine look in girl's athletic clothing. But in functional athletic clothing, only "dumbed down" versions of men's styles were available for women.
Almost overnight, women went from 20% to 56% of the university population. By the 1990's, Super Girls were finishing university where they excelled at school and sports. They then entered the work force en masse and tried to figure out how to compete in a 12-hour-a-day competitive job market and have a functioning family. Rarely did the two reconcile which created, and is still creating, an inordinate amount of stress on women today. Fortunately, there is a direct correlation between education and health. Super Girls knew that the best way to combat stress and sickness was to create natural endorphins found in athletics.
Breast cancer also came into prominence in the 1990's. I suggest this was due to the number of cigarette-smoking Power Women who were on the pill (initial concentrations of hormones in the pill were very high) and taking on the stress previously left to men in the working world.
In 1997 or so, yoga emerged as an activity that was both accessible and non-competitive for its participants. It showed up at a time when women recognized the benefits of decompressing and living in the moment. Yoga provided the same great feeling as snowboarding or surfing but could be done in an hour and a half and close to home.
Ultimately, lululemon was formed because female education levels, breast cancer, yoga/athletics and the desire to dress feminine came together all at one time. lululemon saw the opportunity to make
the best technologically advanced components for the Super Girl market .
| Tonia is a beautiful three year old tabby cat. Tonia was very shy when she first came to the ASPCA, but under the caring attention of staff and volunteers she has become more comfortable. She really adores having her head scratched and closes her eyes in ecstasy, and is happy to snooze on the pillows in the Urban Cat Habitat where she can usually be found. Tonia has been at the shelter for quite a while, but she knows the right person is out there who can appreciate all her wonderful qualities and respect her limitations. |